All dependencies have been moved to the new "dep:x" and "x?/feature" syntax to remove the bloat from the docs.rs/crates.io/lib.rs feature panes.
Accordingly, this lets us break "rustls" and "native" out from annoying hybrids like "serenity-rustls" or "twilight-native" -- specify your library and your backend, and it should just work.
The complete list of features is now: driver, gateway, serenity, twilight, rustls, native, builtin-queue, simd-json, internals (plus "default" and "full-doc").
This extensive PR rewrites the internal mixing logic of the driver to use symphonia for parsing and decoding audio data, and rubato to resample audio. Existing logic to decode DCA and Opus formats/data have been reworked as plugins for symphonia. The main benefit is that we no longer need to keep yt-dlp and ffmpeg processes alive, saving a lot of memory and CPU: all decoding can be done in Rust! In exchange, we now need to do a lot of the HTTP handling and resumption ourselves, but this is still a huge net positive.
`Input`s have been completely reworked such that all default (non-cached) sources are lazy by default, and are no longer covered by a special-case `Restartable`. These now span a gamut from a `Compose` (lazy), to a live source, to a fully `Parsed` source. As mixing is still sync, this includes adapters for `AsyncRead`/`AsyncSeek`, and HTTP streams.
`Track`s have been reworked so that they only contain initialisation state for each track. `TrackHandles` are only created once a `Track`/`Input` has been handed over to the driver, replacing `create_player` and related functions. `TrackHandle::action` now acts on a `View` of (im)mutable state, and can request seeks/readying via `Action`.
Per-track event handling has also been improved -- we can now determine and propagate the reason behind individual track errors due to the new backend. Some `TrackHandle` commands (seek etc.) benefit from this, and now use internal callbacks to signal completion.
Due to associated PRs on felixmcfelix/songbird from avid testers, this includes general clippy tweaks, API additions, and other repo-wide cleanup. Thanks go out to the below co-authors.
Co-authored-by: Gnome! <45660393+GnomedDev@users.noreply.github.com>
Co-authored-by: Alakh <36898190+alakhpc@users.noreply.github.com>
This handles twilight's migration to a unified `Id` type, which is the only design change needing any handling on our part. All our `From`/`Into`s are covered now, and deprecated type aliases are no longer used.
This was tested using `cargo make ready` and by manually running "examples/twilight".
This PR adds support for twilight v0.8, mainly adapting to significant API changes introduced by v0.7. As a result of these, twilight no longer accepts arbitrary JSON input, so it seemed sensible to adapt our `Shard` design to no longer require the same.
Adding to this, I've added in a trait to allow an arbitrary `Shard` to be installed, given only an implementation of a method to send a `VoiceStateUpdate`. Together, `Sharder::Generic` (songbird::shards::VoiceUpdate) and `Shard::Generic` (songbird::shards::GenericSharder) should allow any library to be hooked in to Songbird.
This PR was tested using `cargo make ready` and by manually testing `examples/twilight`.
Includes two more small changes too small to warrant PRs.
1. Removes the `shard_count` parameter from `Songbird::twilight` & `Songbird::twilight_from_config` since the cluster contains it.
2. Drops the `Arc` wrapper around `Songbird` to match against an upcoming twilight 0.7 change
Migrates to the new version of tokio, requiring channel and sleep changes in a few locations. Additionally points to the in-tree v0.3 version of twilight.
This change is made with queue users in mind. Since sources
of this kind *know* how to (re)create themselves, they can
avoid being created at all until needed.
This also adds machinery to preload tracks *before* they are
needed, for gapless playback on queues and so on. Queues
make use of the event system to do this.
Main goal: a lot of nested future/result folding.
This mainly modifies error handling for Tracks and TrackHandles to be
more consistent, and hides the underlying channel result passing in
get_info. Errors returned should be far clearer, and are domain
specific rather than falling back to a very opaque use of the underlying
channel error. It should be clearer to users why their handle commands
failed, or why they can't make a ytdl track loop or similar.
Also fixed/cleaned up Songbird::join(_gateway) to return in a single
await, sparing the user from the underlying channel details and repeated
Errs. I was trying for some time to extend the same graces to `Call`,
but could not figure out a sane way to get a 'static version of the
first future in the chain (i.e., the gateway send) so that the whole
thing could happen after dropping the lock around the Call. I really
wanted to fix this to happen as a single folded await too, but I think
this might need some crazy hack or redesign.
Redresses a previous holdover from an attempt to get Restartable sources to work more neatly inside the synchronous mixer thread. This prevents `Restartable::*` from blocking without warning.
The initial fix at the time was to perform the restart work on a task provided by the tokio runtime as `executor::block_on` needs to be run from within a valid async runtime. Naturally, this completely missed the point that these closures should/could be async, without any need to fudge async functions into a sync wrapper.
Also removes the `From` for normal closures, as this will probably act as a footgun for folks on a single-threaded executor.
This implements a proof-of-concept for an improved audio frontend. The largest change is the introduction of events and event handling: both by time elapsed and by track events, such as ending or looping. Following on from this, the library now includes a basic, event-driven track queue system (which people seem to ask for unusually often). A new sample, `examples/13_voice_events`, demonstrates both the `TrackQueue` system and some basic events via the `~queue` and `~play_fade` commands.
Locks are removed from around the control of `Audio` objects, which should allow the backend to be moved to a more granular futures-based backend solution in a cleaner way.
